most important is that our show at Capone's on Sunday was intensely fun. this was due in large part to our many friends in attendance. thank you Danny G., Kaben, all of Goodnight Gunfight (!), Kevin, Eliza, Conrad, Lauren, Russ and Will for hanging out. thanks to John from Dirty Churches for setting the thing up (and playing!) and to People for playing and to Grnbrg for the snare drum.
Saturday night was Hudson, NY at a pimped-out teen center. gratitude to Deaddeaddeath for inviting us and to the NY State Trooper for the moustache ride. Archaeopteryx came with us and they are The Best.
quick recap of all those shows i saw:
10/21 - Hella at Nokia
amazing. new four-piece lineup is definitely a good idea-compelling arrangements of chestnuts and stuff from Church Gone Wild/Chirpin Hard, which continues to grow on me.
10/21 (later) - Dysrhythmia and Arctopus at Lit
Colin Marston is a force. Dysrhythmia has never sounded tighter or heavier; can't wait for their new record. Arctopus was overwhelmingly good as usual, and it seems as though more and more folk are starting to notice.
10/22 - Ball Governor at Tommmy's
one of the most versatile and kinetic free-jazz bands in the city right now. not to downplay the amazingly quick-witted blowing of Russell Baker (trumpet), but Will Glass is a true marvel on the drumkit--he plays as nimbly as a spider walks, or something.
10/23 - Melvins at Webster
Melvins w/ Biafra sucked, mainly b/c Biafra is intensely tiresome. Melvins set w/out Biafra on the other hand was massive. Dave Stone on bass, and he held it together just fine. anyone interested in heavy rock MUST hear "Hooch" and "Night Goat" played live in their lifetime. easily the best heavy band active, if not ever.
10/26 - Zach Hill blowout at N6
extremely disappointing, though less so b/c i didn't expect too much. i had seen Zach Hill improvise before and he doesn't seem to listen or react at all; he just goes. regarding the Zach/Kevin Shea duo conducted by Brian Chase: BC intended to guide the improvisation through hand signals and diagrams, but that all went out the window within minutes. watching Zach Hill play is an unequivocal marvel, but watching him obliviously drown out Kevin Shea, a world-class percussionist and improviser, and essentially ignore the conduction of another great drummer was just depressing. Sugriwa set was wonderfully weird, but i couldn't stick around for part two of the blowout. i dunno, i love a lot of Zach's music (Hella, of course, and the Holy Smokes record, which i think is completely brilliant), but his dabbling in improv really bothers me. i could be wrong, but it just seems like a "because i can" thing, which is very much a drag.